Tim English

Tim English

A conversation, not a soap box!

I've been getting paid to DJ since 1992. But I didn't make this my full time profession until 2005. Since I made the jump to full time, I've been completely focused on improving every aspect of my business, from performance, to accounting. As a small business owner, I've had to solve a lot of problems over the years. Hopefully, I can share some of the insight I've gained with all of you. But the most important thing I can do here is to start a conversation. Please leave comments. I love comments!

Contact Tim English

tim@perfectlyentertaining.com

(619) 944-5565

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Sunday
Jan172010

The NAMM Show, 2010

I just attended the NAMM show at the Anaheim Convention Center. I don't have much to say about it, except to complain about the layout. They used to put all the DJ gear in one spot, near the arena. Now, DJ vendors are peppered all throughout the entire show. It was exhausting trying to get through the whole thing, and I still feel like I missed some vendors. 

There wasn't much there to excite the Mobile DJ industry. Serato was demonstrating a program that lets you use 4 turntables at once. Hurray for all you 4 handed DJs out there! Another company was trying to sell a 10' cable for over $100 that could be adapted to various applications. You could use it for a guitar, or snap on some new ends and use it for a microphone. Who would want such a thing? It seems like a solution without a problem to me. 

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Reader Comments (2)

did u see anything interesting in the lighting department?

January 17, 2010 | Unregistered CommenterManny

Yes, there were two very important developments in lighting for Mobile DJs. Both having to do with the LED par can fixtures we use for up lighting. Many mobile DJs jumped on the LED band wagon because they are very light-weight (no heavy transformer needed) they never need their bulbs replaced, and because they can achieve many colors without color gels. There were two huge problems with this technology early on though. First, LED fixtures make colors by mixing red, green and blue LEDs, just like the old projection TVs with 3 lenses. The problem comes when you try to make white. This is simple for a halogen fixture, just don't use a color gel. But with LED, how do you get white from red, blue and green? Theoretically, you just turn all three colors up to equal intensity. But most fixtures were not capable of precisely matching the intensity of of all 3 colors. The result was a blueish beam, with an intensely blue halo around the beam. To really achieve white, you had to go back to the old school halogen fixtures. I saw an impressive demonstration in the Community booth. They set all their LED fixtures to white, and the light they cast on the wall was actually white. Other companies, like Color Key Creative Lighting, list "Balanced White" as a feature of their fixtures on their brochures. The industry seems to have caught on that this was a problem, and they responded.

The other problem with LED fixtures has been the effect they have on video. Many weddings have a professional videographer to capture the events of the day. Most LED fixtures cycle at a rate the human eye can't perceive, similar to a TV. Also similar to a TV, they flash when filmed. When viewing the playback of a video of a wedding where LED up lights have been used to accent the room, the beams of light from the fixture appear to be strobing and changing colors. It simply makes the video look terrible. One would also get the impression from watching the video that the DJ was using an inappropriate lighting effect throughout the whole night. They seem to have solved this problem by increasing the speed of the cycles, probably from about 60Hz to 120Hz or more. Some fixtures are now advertised as "Video Friendly."

January 18, 2010 | Unregistered CommenterTim English

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